Il convegno

Martedì 13 dicembre 2022, ASC si fa promotrice di un grande convegno internazionale,

La magia del cinema dietro la macchina da presa

Profilo, caratteristiche e prospettive di scenografi, costumisti, arredatori e artigiani nell’ottica del decennale della rivista Scenografia&Costume.

La conferenza, organizzata grazie a un bando del Ministero della Cultura , è volta a spiegare a istituzioni pubbliche e private le specificità delle professioni del dietro le quinte e le loro urgenze, prime fra tutte un nuovo approccio al diritto d’autore, che possa rendere giustizia all’autorialità di scenografi e costumisti durante il processo creativo, cinematografico, teatrale e televisivo, e la necessità sempre più indifferibile di una alta formazione professionale, che possa mantenere la qualità del lavoro dei professionisti, degli artigiani e delle maestranze a quei livelli di eccellenza per cui sono stati sempre famosi nel mondo e che ora nuove esigenze produttive e nuove sfide tecnologiche mettono sempre più a rischio. Per questo motivo, è stato commissionato ad ACTA - Associazione Cultura Turismo Ambiente e al dipartimento SARAS dell’Università la Sapienza una ricerca sulle figure del costumista, dello scenografo e dell’arredatore, sull’evoluzione del mestiere, sulla filiera economica e sulle dinamiche all’interno della produzione, i cui risultati sono condivisi durante il convegno. Nella fascia pomeridiana, invece, sono in programma tre panel tematici, Evoluzione professionale a confronto di Europa ed estero; Le professioni di fronte alle nuove esigenze produttive e alle sfide presentate dall’algoritmo; Archivio e diritto d’autore: l’importanza della conservazione per la proprietà intellettuale delle opere.

 

The conference

On Tuesday, December 13, 2022, ASC was the promoter of a large international conference,

The Magic of Cinema Behind the Camera

Profile, characteristics and prospects of production designers, costume designers, set decorators and craftsmen in the perspective of the 10th anniversary of the Scenografia&Costume magazine.

Italy’s Ministry of Culture launched a call for organising the conference, which had the goal to outline the specific characteristics of behind-the-scenes careers and their urgent needs to public and private institutions. Its main highlight is on a new approach to the author’s right that can render justice to the authorship of production and costume designers during the creative process for film, theatre and television, and the compelling necessity for higher vocational training, so that the quality of the work of professionals, craftspeople and workers can be maintained at the levels of excellence they have always been internationally renowned for. Indeed, the latter are now at risk more than ever due to new production requirements and new technological challenges. For this reason, ACTA - Associazione Cultura Turismo Ambiente and the SARAS department of the Sapienza University of Rome were entrusted with carrying out research into the profiles of the costume designer, production designer and set decorator; into the way the job has evolved; into the economic supply chain and the production dynamics. The related results were shared during the conference. In the afternoon session, three thematic panels were scheduled, namely Comparison between professional evolution in Europe and abroad; The professions facing the new production needs and the challenges emerging from the algorithm; Archiving and author’s rights: the importance of conservation for the intellectual property of works.

 

EMMY AWARDS

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY OR FANTASY PROGRAM

(ONE HOUR OR MORE) - 2017

 

Nominees: The Young Pope - Episode Five

Ludovica FERRARIO, Production Designer

Alexandro Maria SANTUCCI, Art Director

Laura CASALINI, Set Decorator

 

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF HOUR OR LESS) – 2017

Nominees: Mozart In The Jungle - Now I Will Sing

Tommaso ORTINO,Production Designer

Susanna CODOGNATO, Art Director

Letizia SANTUCCI, Set Decorator

 

OUTSTANDING COSTUMES FOR A SERIES – 2013

Winners: The Borgias - The Gunpowder Plot

Gabriella PESCUCCI, Costume Designer

Uliva PIZZETTI, Costume Supervisor

 

OUTSTANDING COSTUMES FOR A SERIES – 2012

Nominees: The Borgias - The Confession

Gabriella PESCUCCI, Costume Designer

Uliva PIZZETTI, Costume Supervisor

 

OUTSTANDING COSTUMES FOR A SERIES - 2011

Winners: The Borgias - Lucrezia’s Wedding

Gabriella PESCUCCI, Costume Designer

Uliva PIZZETTI, Costume Supervisor

 

OUTSTANDING ART DIRECTION FOR A MINISERIES OR MOVIE – 2009

Winners: Into The Storm

Luciana ARRIGHI, Production Designer

 

OUTSTANDING ART DIRECTION FOR A SINGLE-CAMERA SERIES – 2007

Winners: Rome

Carlo SERAFINI, Art Director

Cristina ONORI, Set Decorator

 

OUTSTANDING COSTUMES FOR A SERIES – 2007

Nominees : Rome - De Patre Vostro (About Your Father)

Augusto GRASSI, Costume Supervisor

Uliva PIZZETTI, Costume Supervisor

 

 OUTSTANDING ART DIRECTION FOR A SINGLE-CAMERA SERIES – 2006

Winners: Rome

Cristina ONORI, Set Decorato

Domenico SICA, Art Director 

 

OUTSTANDING COSTUMES FOR A SERIES – 2006

Winners: Rome

Augusto GRASSI, Costume Supervisor

 

OUTSTANDING ART DIRECTION FOR A MINISERIES, MOVIE OR A SPECIAL – 2003

Nominees: My House in Umbria

Luciana ARRIGHI, Production Designer

Maria Cristina ONORI, Art Director

Alessandra QUERZOLA, Set Decorator

 

OUTSTANDING COSTUMES FOR A MINISERIES, MOVIE OR A SPECIAL - 2003

Nominees: My House in Umbria

Nicoletta ERCOLE, Costume Designer

Maria Erminia MELATO, Costume Supervisor

Rosa PALMA, Assistant Costume Designer

 

OUTSTANDING COSTUMES FOR A MINISERIES, MOVIE OR A SPECIAL – 2002

Nominees: The Mist of Avalon

Carlo POGGIOLI, Costume Designer

Gianni CASALNUOVO, Assistant Costume Designer

 

OUTSTANDING COSTUMES FOR A MINISERIES, MOVIE OR A SPECIAL - 2000

Nominees: Arabian Nights

Maurizio MILLENOTTI, Costume Designer

Gianni CASALNUOVO, Assistant Costume Designer  

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